Many Reasons To Listen To the New KNOE EP |
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Perth rapper KNOE has dropped his first piece of music in half a decade, titled Reasons. Reasons is seven tracks long, with smooth beats and intricate lyrics layered over a backdrop of gorgeous New York inspired samples.
Reasons is an expression of KNOE’s artistic struggle done eloquently and rhythmically. There is a running theme throughout the EP, concerning the young rapper’s question of whether of not the path he has chosen, that of making music, is the right one. KNOE felt the external pressures of the music industry when working on campaigns for musicians in the America industry. These were pressures KNOE witnessed other artists struggle with, burdens the artists had to carry in the music industry. This experience consequently put KNOE’s own music aspirations on hold for a year. Thankfully, he resumed creating music, and the pressure and struggle of his artistry was channeled to writing music. The struggle spills across Reasons, and is prominent on the track Ghost which kicks off the EP. “This music is a vessel of my bleeding soul,” KNOE raps.
Read more of the review here.
Reasons is an expression of KNOE’s artistic struggle done eloquently and rhythmically. There is a running theme throughout the EP, concerning the young rapper’s question of whether of not the path he has chosen, that of making music, is the right one. KNOE felt the external pressures of the music industry when working on campaigns for musicians in the America industry. These were pressures KNOE witnessed other artists struggle with, burdens the artists had to carry in the music industry. This experience consequently put KNOE’s own music aspirations on hold for a year. Thankfully, he resumed creating music, and the pressure and struggle of his artistry was channeled to writing music. The struggle spills across Reasons, and is prominent on the track Ghost which kicks off the EP. “This music is a vessel of my bleeding soul,” KNOE raps.
Read more of the review here.
Destined For Success: Melo’s That Fellow From The West
"Record Scratch... Freeze Frame"
Voiceover: I guess you’re wondering how I got here in the first place. A young, successful biracial rapper in Australia. Well there’s more to it than meets the eye. This is my story or shall I say his story or perhaps history in the making...
*Opening scene Biracial starts playing*
If Melo’s new project M3lodrama was a movie I imagine that’s how it would start. He is part of a generation of what I call Frogleapers (artists that have bypassed the traditional Aussie Hip Hop route and ventured into international territory, sound wise). You could be mistaken for thinking you’re listening to an established artist the moment his EP begins. There’s a certain maturity to his sound and subject matter which will be explored.
It needs to be acknowledged that the n-word seems out of place in an Australian setting. Some artists can pull off dropping the proverbial n-bomb with finesse but for others the whole experience is cringe worthy. Melo is the former.
Read more here.
Voiceover: I guess you’re wondering how I got here in the first place. A young, successful biracial rapper in Australia. Well there’s more to it than meets the eye. This is my story or shall I say his story or perhaps history in the making...
*Opening scene Biracial starts playing*
If Melo’s new project M3lodrama was a movie I imagine that’s how it would start. He is part of a generation of what I call Frogleapers (artists that have bypassed the traditional Aussie Hip Hop route and ventured into international territory, sound wise). You could be mistaken for thinking you’re listening to an established artist the moment his EP begins. There’s a certain maturity to his sound and subject matter which will be explored.
It needs to be acknowledged that the n-word seems out of place in an Australian setting. Some artists can pull off dropping the proverbial n-bomb with finesse but for others the whole experience is cringe worthy. Melo is the former.
Read more here.
Review: Jamahl Ryder's debut album Defy Reality
When the first thing you hear is a didgeridoo and chants in the native Australian tongue get ready for one of two things: Someone wanting to give the impression that their ‘woke’ or an artist staying true to themselves and their Australianness. In the case of Jamahl Ryder the latter is true. His latest project Defy Reality starts off with a chant that sounds like a blessing from an elder to a young man about to embark on a perilous journey through the industry of Hip Hop.
Armed with a paper and a pen Jamahl hits the ground running with Manifesto. The hard-hitting beat is eerily similar to Kanye’s Two Words & Jay-Z’s Public Service Announcement. Jamahl puts his own flavour to the track, makes his presence known and vows to rise through all obstacles as he chooses to live a life on his own terms, ready to die for what he believes in as he lives and breathes his manifesto.
Read more here.
Armed with a paper and a pen Jamahl hits the ground running with Manifesto. The hard-hitting beat is eerily similar to Kanye’s Two Words & Jay-Z’s Public Service Announcement. Jamahl puts his own flavour to the track, makes his presence known and vows to rise through all obstacles as he chooses to live a life on his own terms, ready to die for what he believes in as he lives and breathes his manifesto.
Read more here.
Sydney's HussyKat From Cracking Backs To Crushing Beats
HussyKat is a 24 year old Sydney based chiropractor who is making his way through the music scene. With already lots of followers on Spotify from not only Australia but in the US as well, his music career can only go up from here.
HussyKat’s style was different for me, as this was the first time I had heard any of his songs. The first thing I noticed with It’s Ok Not To Be Ok were some lines such as; “Now it’s really hard to find peace of mind”, it had an almost Middle Eastern feel to it. I think his Baghdad background and Egyptian influences come through in this song. It provides an interesting twist to the music.
His wordplay is really switched on in this song, his flow switches up and keeps it interesting. However, I think simple effects like down pitching or echo on his vocals would have assisted, just to keep the verses not so dry. Overall though a meaningful song, showing people that having flaws are okay or having problems is okay as it’s normal and everyone goes through this. Ironically he is normalising not being so “normal”. Read more here.
HussyKat’s style was different for me, as this was the first time I had heard any of his songs. The first thing I noticed with It’s Ok Not To Be Ok were some lines such as; “Now it’s really hard to find peace of mind”, it had an almost Middle Eastern feel to it. I think his Baghdad background and Egyptian influences come through in this song. It provides an interesting twist to the music.
His wordplay is really switched on in this song, his flow switches up and keeps it interesting. However, I think simple effects like down pitching or echo on his vocals would have assisted, just to keep the verses not so dry. Overall though a meaningful song, showing people that having flaws are okay or having problems is okay as it’s normal and everyone goes through this. Ironically he is normalising not being so “normal”. Read more here.
Review: Kause Emcee's Kosmosis EP
Campbelltown Hip Hop artist Kause Emcee has dropped his best EP yet. Kosmosis is five tracks long, beginning with the cautionary Tomorrow (Intro) and ending with a sombre Kause for Concern, Pt II (Full Throttle).
Right from the start, Kause Emcee, 27, lays out his exegesis. Tomorrow appears as a cautionary tale, asking the listener: “Did you really live a life that you couldn’t forget? Would you change anything if you could do it again?” Living your life’s potential isn’t an easily achievable feat. Life is hard, it's complicated, and Kause Emcee understands this. He highlights the reasons why someone down in the dust wouldn’t aim high for their goals: “We’re all caught up with work and have bills to pay. I feel your pain, but how can we not stress? It’s hard to be proud of your progress, stuck in a process, so we slack on dreams.” Read more here.
Right from the start, Kause Emcee, 27, lays out his exegesis. Tomorrow appears as a cautionary tale, asking the listener: “Did you really live a life that you couldn’t forget? Would you change anything if you could do it again?” Living your life’s potential isn’t an easily achievable feat. Life is hard, it's complicated, and Kause Emcee understands this. He highlights the reasons why someone down in the dust wouldn’t aim high for their goals: “We’re all caught up with work and have bills to pay. I feel your pain, but how can we not stress? It’s hard to be proud of your progress, stuck in a process, so we slack on dreams.” Read more here.
Hello, This Is An EP You Need To Listen To
Reading about Strictly D.T I knew he was going to have a different style of music. He has a strong cultural background and being born in Seattle, Washington, means he brings a different style to Aussie Hip Hop. His experience really shows in the wordplay in each track. DT has his own style of wordplay where you can hear inspiration from old school Hip Hop rappers like Tech N9ne and the like.
The EP cover artwork is also very unique. The illusion of the typography on the cover is very clever and creative.
The first track of the nine-track EP is the title track, Note to Self. It fades in gently with a flute and maracas or something of the sort. Strictly DT comes in paying homage to his producer Ralph Radical, then kicks up his flow along with the build-up of the beat. I like the concept of this song as he is saying: be careful of your surroundings, look after yourself and know your worth. Read more here.
The EP cover artwork is also very unique. The illusion of the typography on the cover is very clever and creative.
The first track of the nine-track EP is the title track, Note to Self. It fades in gently with a flute and maracas or something of the sort. Strictly DT comes in paying homage to his producer Ralph Radical, then kicks up his flow along with the build-up of the beat. I like the concept of this song as he is saying: be careful of your surroundings, look after yourself and know your worth. Read more here.
Hip Hop Originators Remind Us of the Roots of the Culture
It’s hard to believe there was a time in the world before Hip Hop. The music and the culture has infiltrated the globe, and the fashion, the mannerisms and vernacular are now a part of every day culture everywhere.
And whereas nowadays Hip Hop artists are a dime a dozen (no offence rappers/producers), there was a time when Hip Hop was considered a fad. I have a friend who was big into Hip Hop in the 90’s (nearly 30 years old now!) and his Dad told him “this is a fad, you’ll be over it in 5 years time”. I can confirm they’re not.
In terms of Hip Hop OGs, there are two group names synonymous, both groups known for different reasons, but each important to the culture in their own right. Furious Five, along with Grandmaster Flash, were a founding Hip Hop group in the 80s with their DJ, Flash, a pioneer of Hip Hop DJing, cutting, scratching and mixing. The group grew their reputation performing at parties and live shows in New York in the late 1970s and in the 80’s their songs like The Message gained mainstream success. Read more here.
And whereas nowadays Hip Hop artists are a dime a dozen (no offence rappers/producers), there was a time when Hip Hop was considered a fad. I have a friend who was big into Hip Hop in the 90’s (nearly 30 years old now!) and his Dad told him “this is a fad, you’ll be over it in 5 years time”. I can confirm they’re not.
In terms of Hip Hop OGs, there are two group names synonymous, both groups known for different reasons, but each important to the culture in their own right. Furious Five, along with Grandmaster Flash, were a founding Hip Hop group in the 80s with their DJ, Flash, a pioneer of Hip Hop DJing, cutting, scratching and mixing. The group grew their reputation performing at parties and live shows in New York in the late 1970s and in the 80’s their songs like The Message gained mainstream success. Read more here.
Good Food, Good Music, Good Times at Jam on Rye
Good food and good music. That’s how I would sum up the Jam on Rye Festival. Fortunately the rain held for the festival on Peckham Rye Park on the last Bank Holiday weekend and the sun peeked through the clouds, at times, to shine down on the good vibes.
A family-friendly event with activities, stages and food for all ages; seeing kids throwing bails of hay on their friends, their parents and other festival attendees, really set the scene for what was going to be a lovely day. Cue Bill Withers.
The three stages had an eclectic mix of musical performances. The Balamii stage housed all the DJ’s playing varied selection of music from old school to new school, remixes and in between. Read more here.
A family-friendly event with activities, stages and food for all ages; seeing kids throwing bails of hay on their friends, their parents and other festival attendees, really set the scene for what was going to be a lovely day. Cue Bill Withers.
The three stages had an eclectic mix of musical performances. The Balamii stage housed all the DJ’s playing varied selection of music from old school to new school, remixes and in between. Read more here.
Music Review: Kaypee Life EP
Kaypee is an Indigenous Hip Hop artist hailing from Albany, WA. Since popping onto the scene in 2012, Kaypee has been doing some amazing things with his career. After supporting Ty Dolla Sign for his Perth show in 2017, Kaypee was more than ready to get his EP Life in the works and get it out there for his fans.
I initially expected the EP to be full of love songs and heartbreak, perhaps due to the simple cover artwork with red roses. To me roses are connected with romance.
Kaypee touched on a lot of different emotions on the 6-track EP from being in a happy place and in love to a dark place in his own head. It made me think “why did he choose roses?”. But it dawned on me that roses represent the concept of life. They are used or presented at any life event. From the happiest times to the saddest, and you feel those emotions whilst listening to these songs.
The first track Life, well the name speaks for itself, it has many relatable issues. Kaypee talks about getting on with his life, trying to make it in the world and the loss of contact with old friends. The beat is calm and not overpowering, so it allows you to focus and listen to his words. Listening to this song a few times allowed the concept of the EP cover art to resonate with me. Read more here.
I initially expected the EP to be full of love songs and heartbreak, perhaps due to the simple cover artwork with red roses. To me roses are connected with romance.
Kaypee touched on a lot of different emotions on the 6-track EP from being in a happy place and in love to a dark place in his own head. It made me think “why did he choose roses?”. But it dawned on me that roses represent the concept of life. They are used or presented at any life event. From the happiest times to the saddest, and you feel those emotions whilst listening to these songs.
The first track Life, well the name speaks for itself, it has many relatable issues. Kaypee talks about getting on with his life, trying to make it in the world and the loss of contact with old friends. The beat is calm and not overpowering, so it allows you to focus and listen to his words. Listening to this song a few times allowed the concept of the EP cover art to resonate with me. Read more here.
Note to Self: Real Talent Lives On
Photo by IG: notso_lil_kim
In an age where music-streaming apps such as Spotify and Apple Music, reign supreme, and artists have to consistently tour to make any money off this rap thing, milestones and anniversaries are to be celebrated.
This year, Aussie hip hop veterans Horrorshow celebrated 10 years of their debut album, The Grey Space, an album that was written during their high school years. To celebrate they announced a 16-date national tour, which had mostly sold out in the first month of release and is only months after a national tour of their latest album Bardo State at the end of last year.
Each state’s shows were supported by local acts and Perth fans were treated to the sounds of Hyclass and Child’s Play. Both well respected acts within the local scene.
Hyclass’ name has been popping up on nearly every show bill lately with the femcee deciding to channel her energies solely on music and is seemingly reaping the benefits. With support from her brother, and another established local rapper, Strictly DT, the duo got the crowd warmed up with tracks from Hyclass’ 2015 I NEED U EP, as well as some impromptu verses from DT.
The straight bars set was followed by an audio-visual set from Child’s Play. The group included emcee Cruz of Koi Child fame and producer Henry Kissinger. Kissinger provided the beats, Cruz provided the esoteric raps, along with the dulcet tones of a man on a saxophone. The sound of a saxophone just makes everything that more lovely and dreamy. This was all juxtaposed against the distorted and enigmatic projector vision.
Read more here.
This year, Aussie hip hop veterans Horrorshow celebrated 10 years of their debut album, The Grey Space, an album that was written during their high school years. To celebrate they announced a 16-date national tour, which had mostly sold out in the first month of release and is only months after a national tour of their latest album Bardo State at the end of last year.
Each state’s shows were supported by local acts and Perth fans were treated to the sounds of Hyclass and Child’s Play. Both well respected acts within the local scene.
Hyclass’ name has been popping up on nearly every show bill lately with the femcee deciding to channel her energies solely on music and is seemingly reaping the benefits. With support from her brother, and another established local rapper, Strictly DT, the duo got the crowd warmed up with tracks from Hyclass’ 2015 I NEED U EP, as well as some impromptu verses from DT.
The straight bars set was followed by an audio-visual set from Child’s Play. The group included emcee Cruz of Koi Child fame and producer Henry Kissinger. Kissinger provided the beats, Cruz provided the esoteric raps, along with the dulcet tones of a man on a saxophone. The sound of a saxophone just makes everything that more lovely and dreamy. This was all juxtaposed against the distorted and enigmatic projector vision.
Read more here.
Hell Hath No Fury Like Helen
In a scene that’s dominated by the patriarchy and saturated with male artists, it is always exciting to hear of a female rapper coming up. Helen Earth is an emcee from Brisbane, a state not particularly known for a wealth of Hip Hop artists but a region that is having more pop up in recent times.
They say a picture paints a thousand words so let me try for you, the album cover art is reminiscent of Hades, and consists of, I’m assuming, Helen Earth, surrounded by the burning heat of the sun, powerfully electrifying a dark orb with the fires of hell beneath her. Couple that with the album title Hell Hath No Fury and a track listing including tracks such as Nuke Em With The Nucleus, Rappers Suck and Fuck This & Up Yours, I knew I was in for a ferocious listen.
Read more here.
They say a picture paints a thousand words so let me try for you, the album cover art is reminiscent of Hades, and consists of, I’m assuming, Helen Earth, surrounded by the burning heat of the sun, powerfully electrifying a dark orb with the fires of hell beneath her. Couple that with the album title Hell Hath No Fury and a track listing including tracks such as Nuke Em With The Nucleus, Rappers Suck and Fuck This & Up Yours, I knew I was in for a ferocious listen.
Read more here.
The Wolf returns with an audiovisual delight.
Peanut Butter Wolf is a man who needs no introduction. The founder of Stones Throw Records, label home to artists such as J Dilla, Madlib, Knxwledge and Guilty Simpson, is a keen curator of Hip Hop music and everything in between.
Having spent nearly 30 years as a DJ and producer, PBW is pushing the art of DJing further and challenging himself with a new format, audio visual DJing. Touring this concept for the past couple years now, the format provides an entertaining and sometimes humorous addition to the funky beats. The Late Night Valentine venue provided the perfect space for Peanut Butter Wolf to play his audiovisual set to old and new fans.
Read more here.
Having spent nearly 30 years as a DJ and producer, PBW is pushing the art of DJing further and challenging himself with a new format, audio visual DJing. Touring this concept for the past couple years now, the format provides an entertaining and sometimes humorous addition to the funky beats. The Late Night Valentine venue provided the perfect space for Peanut Butter Wolf to play his audiovisual set to old and new fans.
Read more here.
Thievery Corporation still going strong 20 years on
Mr Lif and Puma on stage with the band.
Having spoken to, Rob Garza, one half of Thievery Corporation, prior to their show at Metro City Thursday 8th, I was excited to see their live show in action with the new album behind them. Thievery’s latest album, The Temple of I & I, pays homage to the dub sounds they are heavily influenced by and introduces new singers to the world stage.
Opening for Thievery was local heterogeneous band POW Negro who brought the right amount of liveliness and swag for a support act. Humbled by the opportunity and aware of the slightly older crowd, frontman/emcee Nelson cheekily asked “I hope you don’t mind me rapping?” I don’t think they did.
Read more here.
Opening for Thievery was local heterogeneous band POW Negro who brought the right amount of liveliness and swag for a support act. Humbled by the opportunity and aware of the slightly older crowd, frontman/emcee Nelson cheekily asked “I hope you don’t mind me rapping?” I don’t think they did.
Read more here.
Vic the Bitter Side Effects Album Launch
Friday night was Vic the Bitter’s Side Affects album launch, an exciting time for the rapper who was releasing his first album in five years. Sadly, earlier in the day, it was learned, that a good friend of the local hip hop community had passed, John Mac. I personally never met him but I had seen him at many, many gigs. A true judge of character is what people say about you when you’re not in the room. This is a man who was loved and will be missed. Friday night at The Boston was dedicated to John Mac, Gosep HK.
Due to the horrible turn of events, one of John’s good friends, Soma was no longer able to perform. His spot was filled by a relatively unknown up and comer, Xavier Vincent, who was performing live for the very first time and at such short notice. Xavier jumped on stage with a gusto that was promising and rapped some interesting verses. But whether it was nerves or lack of practice, part way through the set, he kept forgetting his lyrics. Unfortunately something like that tends to have a domino effect, hopefully it won’t be the last time we see Xavier Vincent.
Read more here.
Due to the horrible turn of events, one of John’s good friends, Soma was no longer able to perform. His spot was filled by a relatively unknown up and comer, Xavier Vincent, who was performing live for the very first time and at such short notice. Xavier jumped on stage with a gusto that was promising and rapped some interesting verses. But whether it was nerves or lack of practice, part way through the set, he kept forgetting his lyrics. Unfortunately something like that tends to have a domino effect, hopefully it won’t be the last time we see Xavier Vincent.
Read more here.
Beat Down X Heats Recap
The annual competition Beat Down has become an institution for producers and beatmakers in the local scene. So much so that this year, in its tenth year, an elimination round was required. 14 of the 24 entrants were put in the Beat Down X heats, which was at The Good Shepherd Friday 8th December. Eight talented souls were immediately put into the finals.
Friday the 8th saw a mixture of known and lesser known local producers come together to throwdown their beats and battle it out for a spot in the final top 16 for the Beat Down X competition on the 30th December at the Rosemount Hotel. There were seven rounds with each beatmaker given a minute and a half to play their three beats. Scene heavyweights; rapper & an OG of Beat Down Adam Crook, rapper/promoter Meng Jones, THE DJ Charlie Bucket & previous Beat Down competitor Sid Pattni were the judges.
Read more here.
Friday the 8th saw a mixture of known and lesser known local producers come together to throwdown their beats and battle it out for a spot in the final top 16 for the Beat Down X competition on the 30th December at the Rosemount Hotel. There were seven rounds with each beatmaker given a minute and a half to play their three beats. Scene heavyweights; rapper & an OG of Beat Down Adam Crook, rapper/promoter Meng Jones, THE DJ Charlie Bucket & previous Beat Down competitor Sid Pattni were the judges.
Read more here.
Horrorshow Cherry Blossom Tour Review
Traditionally a hip hop show consists of the rapper/s and a DJ on turntables. If you were lucky there would a singer to perform some hooks, if there were any. Recently there has been a resurrection of the live show with many hip hop artists favouring live bands over the traditional DJ set up. Not ones to reject the roots of hip hop however, the DJ is still incorporated into the overall performance to provide the cuts normally produced in the studio.
Horrorshow is one such act who have recently taken their live shows to another level by creating what they call an acoustic sound. The same songs and raps from Solo but performed by a full band, including their DJ/producer, Adit, on the bass guitar.
Read more here.
Horrorshow is one such act who have recently taken their live shows to another level by creating what they call an acoustic sound. The same songs and raps from Solo but performed by a full band, including their DJ/producer, Adit, on the bass guitar.
Read more here.
Strictly DT's Leave A Message mixtape launch
Covering the local hip-hop scene for a couple of years now has given me the opportunity to get to know so many local rappers on a personal level. Its also allowed me to witness their growth, not only as an artist but also just as everyday human being. Strictly DT is one such person/artist that I’ve had the honour to witness grow and evolve over the years.
Saturday 11/11 was the celebration of the release of his Leave A Message mixtape. And it was evident the immense growth DT has gone through as an artist in the past couple years. From becoming an independent artist to starting a family to finding his place in the world, his newfound self has come to realisation in his music and performances.
Read more here.
Saturday 11/11 was the celebration of the release of his Leave A Message mixtape. And it was evident the immense growth DT has gone through as an artist in the past couple years. From becoming an independent artist to starting a family to finding his place in the world, his newfound self has come to realisation in his music and performances.
Read more here.
Mad Plant Showcase VI: The Jan Michael Massacre
Mad Fap Entertainment certainly pushes the boundaries when it comes to the status quo of shows. Incorporating music (usually hip hop), comedy and theatrical performance, their events provide opportunities for a wide range of local artists to perform and makes for a very entertaining evening. Friday’s Mad Planet Showcase VI: The Jan Michael Massacre was no different.
Hosted by pseudo-comedian/rapper Ash Woodward with Bace Kadet on the decks, the Mad Fap Battle Roast judges for the night was fan favourite Dezpondent and guest judge Syllabolix rapper Optamus. And despite a couple of sound set up hurdles, the Lost Society Bar provided a fitting venue for the eclectic mix of event attendees.
Read more here.
Hosted by pseudo-comedian/rapper Ash Woodward with Bace Kadet on the decks, the Mad Fap Battle Roast judges for the night was fan favourite Dezpondent and guest judge Syllabolix rapper Optamus. And despite a couple of sound set up hurdles, the Lost Society Bar provided a fitting venue for the eclectic mix of event attendees.
Read more here.
Marksman Lloyd lifts the standard in rap performances
Perth has been spoilt with a wealth of releases so far this year. Beckon, Cortext and Macshane all released mixtapes earlier in the year, Soma released his sophomore album in June, Bitter Belief released another album in collaboration with Rob Shaker, Mr Grevis released his third & final album…. AND… Marksman Lloyd, just last month, after a short hiatus dropped his Portals EP.
The Portals EP is another solid release from the emcee; open, relevant raps with inspiring, uplifting hooks over big hip hop beats, soulful soundscapes and even some dirty south/trap-inspired tracks. The EP also has features from some more nationally recognised rappers, such as Omar Musa and WA’s own Coin Banks.
Friday night saw the official launch of the EP and the crowd was definitely a who’s who of the local scene. There seem to be representatives from most of the local crews: Syllabolix, The Community, F.A.M, The Psyche Ward, Street Life Descendants, Mad Fap…
Granted there was a wide variety represented in the show’s line up, but it was nice to see the support. That definitely set the tone and vibe for the evening.
Read more here.
The Portals EP is another solid release from the emcee; open, relevant raps with inspiring, uplifting hooks over big hip hop beats, soulful soundscapes and even some dirty south/trap-inspired tracks. The EP also has features from some more nationally recognised rappers, such as Omar Musa and WA’s own Coin Banks.
Friday night saw the official launch of the EP and the crowd was definitely a who’s who of the local scene. There seem to be representatives from most of the local crews: Syllabolix, The Community, F.A.M, The Psyche Ward, Street Life Descendants, Mad Fap…
Granted there was a wide variety represented in the show’s line up, but it was nice to see the support. That definitely set the tone and vibe for the evening.
Read more here.
Brandy brings some of the old school flavour back.
Brandy is the poster girl for 90’s R&B. Her music has been sampled by a slew of contemporary producers such as Ta-Ku, Esta, IAMNOBODI and RL Grime. Her sophomore album Never Say Never released in ‘98 won her, her first Grammy. And her style has greatly influenced this new wave of R&B, and hip hop.
2016 is set to be the year of the nostalgic tours with numerous artists of yesteryear touring Australia. Despite the fact her career begun in 1993, 23 years ago, this was also Brandy’s first time to Australia and, Perth. Because of that, there were some old school fans out Friday night at Metro City for the Perth show.
Flanked by two male back up dancers and supported by a drummer and keyboardist, the singer/actress/dancer gave the performance you dream seeing an old school artist. Bursting onto stage with her 2004 Timbaland-produced hit Aphrodisiac lifted the room with its upbeat energy. This was followed by the dance-influenced 2002 hit What About Us? Read more here.
2016 is set to be the year of the nostalgic tours with numerous artists of yesteryear touring Australia. Despite the fact her career begun in 1993, 23 years ago, this was also Brandy’s first time to Australia and, Perth. Because of that, there were some old school fans out Friday night at Metro City for the Perth show.
Flanked by two male back up dancers and supported by a drummer and keyboardist, the singer/actress/dancer gave the performance you dream seeing an old school artist. Bursting onto stage with her 2004 Timbaland-produced hit Aphrodisiac lifted the room with its upbeat energy. This was followed by the dance-influenced 2002 hit What About Us? Read more here.
Dank presents... TORNTS Review
Following the release of his seventh studio album No Compromise, Melbournian rapper Tornts returned to Perth bringing his gritty street style.
A pioneer of Australian hip hop, Tornts has a strong and dedicated following with many lads showing up for Saturday’s show at Babushkas Leederville.
Saturday’s event, hosted by Dank, included an interesting mix of Perth artists with some exciting sets from Macshane with Dazastah and Fdel, Intrusive Thoughts and Kogz with Rob Shaker.
Newcomer DJ Uncle Sam held down the decks between sets with classic hip hop bangers and even had the honour of DJing for Tornts’ closing set.
Read more of the review here. And peep the gig photos here.
A pioneer of Australian hip hop, Tornts has a strong and dedicated following with many lads showing up for Saturday’s show at Babushkas Leederville.
Saturday’s event, hosted by Dank, included an interesting mix of Perth artists with some exciting sets from Macshane with Dazastah and Fdel, Intrusive Thoughts and Kogz with Rob Shaker.
Newcomer DJ Uncle Sam held down the decks between sets with classic hip hop bangers and even had the honour of DJing for Tornts’ closing set.
Read more of the review here. And peep the gig photos here.
Dank presents... JFB (UK DMC DJ)
Following success in 2015, monthly night Dank kicked off 2016 bringing UK DMC Champion JFB to our fine city with an event at The Game Sports Bar. The UK DJ was touring Australia for the second time and came to Perth (again) to show turntablist fans how it’s done.
The first set of the night was Sammy Mc b2b Soho; two local ladies who worked the CDJs. Their set consisted of mainly bass-heavy sounds and trap music. And though there was a small audience during their set, there was a definite vibe in the room and crowd forming on the dance floor. Read more here.
The first set of the night was Sammy Mc b2b Soho; two local ladies who worked the CDJs. Their set consisted of mainly bass-heavy sounds and trap music. And though there was a small audience during their set, there was a definite vibe in the room and crowd forming on the dance floor. Read more here.
Seasta Chani 'Life Sounds Like' Review
Western Australia. The two words conjures up certain connotations and impressions. Safe, sunny beaches is one, 'Dullsville' is another. What normally doesn't come to mind is the hip hop scene, which has only come to forefront somewhat in the last few years, despite the work and presence of local scene legends like Syllabolix and associated members. One such member Layla, is noted for her no holds barred approach, as well as being one of the few female emcees kicking around back in the day, thus inspiring others to enter. 2015 finds Seasta Chani, a fellow female emcee release her debut album Life Sounds Like, which, as expected, covers the diverse life experiences this emcee would face growing up on the West Coast.
Read more of David Coffey's review here.
Read more of David Coffey's review here.
Beat Down 8
Last Saturday was the eight annual Perth beat battle, Beat Down, with a massive 22 local producers entering. Hosted again at Mojo’s Bar Fremantle, the event, which also now has it’s own merchandise (!!), is THE event of the year for the beat culture community in Perth.
The 22 producers who entered were a mixture of the established, a la Sid Pattni, Creed Birch, Boost Hero Man and Rob Shaker, and up-n-comers, a la Kole Beer, Lincon, Mayhills and The Watcher.
Read more here.
The 22 producers who entered were a mixture of the established, a la Sid Pattni, Creed Birch, Boost Hero Man and Rob Shaker, and up-n-comers, a la Kole Beer, Lincon, Mayhills and The Watcher.
Read more here.
Tera 'Belly of tha Beast' Album Review
Starting off with Goals and Dreams, the track primarily consists of a Denzel Washington speech to young actors, setting the tone of the album due to follow. Title track Belly of tha Beast demonstrates the other mindset of Tera, with refrains of 'The beast could be me, the beast could be you' spit in Tera's trademark low growl which occupies the same regions as hip hop legend, Vinnie Paz.
Read more of the review of Tera's Belly of tha Beast here.
Read more of the review of Tera's Belly of tha Beast here.
November Hussle Hussle with F.A.M collective
The November edition of Hussle Hussle was taken over by local collective F.A.M and it was set to be an eventful one, particularly as it was Hyclass’ I NEED U EP launch. The long-awaited EP for the seasoned Perth femcee has been well-received by the local scene and is hopefully just a little taster of what more is to come from Hyclass.
The F.A.M collective consists of Hyclass, singer/beatman Rae, singer Nat Mae and singer/rapper/musician Wallah, and the name FAM is an abbreviation of Family and Music. The collective’s member’s talents are multi faceted with them all rapping, singing and playing some sort of instrument. Read more here.
The F.A.M collective consists of Hyclass, singer/beatman Rae, singer Nat Mae and singer/rapper/musician Wallah, and the name FAM is an abbreviation of Family and Music. The collective’s member’s talents are multi faceted with them all rapping, singing and playing some sort of instrument. Read more here.
Melted Sundae at Ellington Jazz Club
Last night was melted Sundae at Ellington Jazz Club - live hip hop, soul, RnB, a mix of covers and originals by Perth's best up coming artists in the main room at The Ellington Jazz Club - Perth.
The amazing line up included Alex Ford, Creed Birch Music, Hyclass, Sarah Pellicano Music, Silvertongue, Macshane, Rob Delirious, Natalie Mae, all supported by the 7-piece band that are Premiss & The Ruby Horns.
Check out the gig photos here. Review of the night here.
The amazing line up included Alex Ford, Creed Birch Music, Hyclass, Sarah Pellicano Music, Silvertongue, Macshane, Rob Delirious, Natalie Mae, all supported by the 7-piece band that are Premiss & The Ruby Horns.
Check out the gig photos here. Review of the night here.
Maundz Nobody's Business Tour - Perth Show
Last Friday, Maundz kicked off the national tour for his third album Nobody’s Business with an energetic set at Babushka Leederville.
On supports was a great local line up of Intrusive Thoughts, Lower Class Kings, and Azmatik. Local DJ Bace Kadet, who has steadily been making a name for himself, started the night spinning some classic hip hop tunes and played intermittently between sets.
Read more here. Watch some footage of Maundz performing Whiplash here.
On supports was a great local line up of Intrusive Thoughts, Lower Class Kings, and Azmatik. Local DJ Bace Kadet, who has steadily been making a name for himself, started the night spinning some classic hip hop tunes and played intermittently between sets.
Read more here. Watch some footage of Maundz performing Whiplash here.
Mom's Spaghetti Grand Final
Mom’s Spaghetti is THE local rap battle competition hosted by producer/DJ/all round nice guy Rob Shaker, and last Wednesday was the Grand Final, a culmination of nearly two months of events involving 2 rounds and over 30 local rappers.
With the judging panel consisting of Optamus, Dazastah, Mortar, Bitter Belief, MAGGOT MOUF, Kogz, Mat Rafle and Shaker himself, you just knew that the winner of the competition would be of the highest calibre.
Read more here.
With the judging panel consisting of Optamus, Dazastah, Mortar, Bitter Belief, MAGGOT MOUF, Kogz, Mat Rafle and Shaker himself, you just knew that the winner of the competition would be of the highest calibre.
Read more here.